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| event tonight at the CBD store for uni students. come along for some drinks and new pieces for school! and remember to bring your UNIDAYS id |
Showing posts with label Sydney. Show all posts
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白日焰火 / Black Coal Thin Ice
I'm gonna be honest with you, the synopsis didn't really interest me because I'm not usually a crime fic person but what got me to see it was that it won this year's Berlinale, which for some reason is probably my favourite international film awards (maybe because Miyazaki won it with Spirited Away)
The film was a bit bizarre and a bit confusing, could be due to the translation or maybe crime films tend to be this way, but that actually adds to the charm of this movie. The English title suits pretty well with the bleak base tone, which an immediate big plus for me. But compared to most Nordic films which tend to be very cool tone as well, this one is definitely more vivid, if that makes any sense at all.
What I have to mention is how beautiful the shots are. Not beautiful in the same way as Monet's paintings but basically if you screencap the film every 2 seconds you get a stunning photography book of a Northern Chinese city. Unpolished streets, rusty factories and out-dated cars, probably not your best-city-to-live-in type of photos but definitely artistic.
During the Q&A session the director (I was shocked how young he looked but then I realised he's Asian..) said that the female protagonist in the movie represents the passive female position in traditional Chinese culture and even modern Chinese society, an oppressed figure in a patriarch society. And so I was disappointed that he didn't really explore further in that direction. Of course I'm not saying that every good film has to promote women's rights or only political films are worth watching but since it was mentioned in the film personally I'd love to see it digging slightly deeper.
Which also led to the police force in the film. The director said again in the Q&A that the crew did their best to realistically represent police forces in Northern China and the actors went in training with the cops and stuff. Again, shocking (like basically their cops are doing the same thing to Chinese citizens what our people are doing on Manus Island to asylum seekers) but a bit of a shame that the film didn't expand that further either.
All in all, great crime film with 10/10 artistry, shame to me that the director seems to lack of political ambition.
Rate:
7.5/10
ps. the female lead reminds me of Eri Fukatsu (and coincidentally she also starred in a well received crime romance film)
Återträffen / The Reunion
Sydney Film Festival Day 3
As expected from Anna Odell, provocative and thought-provoking.
Keyword: Bullying, Documentary, Art, Stockholm, School Hierarchy
I won't say too much on this but I definitely highly recommend this to everyone. To everybody that's been bullied, isolated and hurt during school, to everybody that has bullied, isolated and hurt and to everybody that has seen people being bullied, isolated and hurt and done nothing. It doesn't necessarily make you cry or laugh or moved or any of those emotional climax that for whatever reason one may expect from a good movie but it makes you think, which I think could be much more important.
To me it's more of an art/social project than a film, which any of my friends would know I love.
Rate:
As a film per se, 7-7.5/10
As an art project, 8.5/10
Can definitely see why it won guldbaggen
Vi är bäst! / We are the best!
By
Unknown
Punk ÄR INTE DÖD!' (Punk not dead!)
Sydney Film Festival Day 2
Keywords: Punk, 1980s, Stockholm
Again another film so up my street! So lighthearted and fun and energetic it was just a fantastic experience! Not necessarily a film that'd make its way into my top list but it is definitely memorable.
And girls with mohawk and boyish short hair, seriously! And Ebba grön! And KSMB! And so many swears!
'Det spelar ingen roll vad ni säger, Vi är ändå bäst' (No matter what you say, we are still the best)
Rate:
7/10
Biased Rate:
7.5/10
Nånting Måste Gå Sönder / Something Must Break
'Du är så jävla vacker att jag spyr.' (You are so fucking beautiful I want to vomit.)
A beautiful fairy-tale.
Keywords: Gender-queer, Stockholm.
It's like a film specifically caterred for me. So relatable that it was almost painful to watch.
Compared to my last year's favourite romance film, Blue is the warmest colour, Something must break is somehow harsher, and softer. Harsher because it exhibits the struggle of gender-queer people so, real that when everybody else in the cinema was laughing at the puns I was feeling like someone was squeezing my lungs. Softer because unlike Blue is the warmest colour, which was an entire journey of Adele growing up and you know there will be an endless regrets and sorrow after the ending, this film felt much shorter. It was still real love and there were still heaps of tears but you know, or rather you hope that the scar will heal and Ellie/Sebastian will get up again one day.
And it will get too personal if I keep on going.
Another thing, it is as expected very very cool-toned, a distinct feature in Northern European cinemas, which I love. I mean I still like sunny Italian or French flicks but it is this gloomy palette that I'm the most comfortable with. The lonely coldness that numbs your face and your heart.
Also why were both actors so darn good-looking? SÅ. HIMLA. SNYGGA att jag dör. Like the fudanshi inside me kept making squeeky sounds during the kissing scenes.
Rate?
7.5/10
First Sydney Film Fest film, bra start!
#MarchinMay
Pictures from Sunday's March In May in Sydney. Peaceful and nice as usual, don't just believe what telegraph says. It was kind of short though, I don't know why but the March one definitely felt longer.
Last Weekend
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| Blue Mountains |
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| Stayed at Newhaven Park House in Georges Plain |
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| Chisel and hammer for smashing up the rocks |
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| Russian Circles Gig at Manning Bar in USyd. |
Stayed at a quite cozy country house for one night and got to talk to some people in my course. Not sure how people in my course see me because I'm not exactly the social type of person but it's not like I really care about that.
Got to smash up some rocks the second day and I found heaps of really old, 300+ million years old, fish... crap. Literally. Was still quite cool and I was told that I could keep them since nobody needs those for research. Didn't take them at that moment and I kinda regret that now when I think of it. But I think it's still better this way, for me at least. They belong to that place, not my bookshelf.
Canowindra and Bathurst were at freezing 2 degrees and I've only got really thin clothes, which was because I had to take all my luggage with me to USyd the same night I come back to Sydney, for one of my favourtie bands gig. Got off the coach at 9 at Strathfield and the concert started at 8.
Fortunately I didn't miss any of their performance and the gig was AWESOME. Think my ears were completely destroyed after the gig and I was dead tired when I finally got home at 1 but it was so worth it, even though they didn't play my favourite 'Ethel'.
Any Russian Circles fan out there? Anyway have a nice weekend everybody.
On The Shore Of The Wide World - Preview show
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| That butt crack Website for more info >> |
To be very honest I was not expecting too much, never been to any of Griffin's plays before and so I just thought it might be interesting, since I love everything indie because of my hipster heart.
I was really impressed. First I love the theatre, as I've said I've never been there before but the theatre was really small, comparable to an average high school classroom. Such limited space gave the audience a more 'personal' experience at the show. I was sitting in the second row, which means sometimes I could literally touch the actors if I reached out my hands and it instantly makes the whole play completely different. I could clearly see the facial expressions of the actors, instead of seeing some moving figures on stage, it felt like we were much closer to the characters, as if they were someone we know and we were the actual witness of the story, we became a part of it. And that definitely is an advantage for a realistic production on lives of the ordinaries. I reckon it wouldn't work as fine if was about some epic medival knights and swordfights, but the theatre worked brilliantly in favour for this play.
Then the actual play itself. My friend and I were glad that it was not a simple coming-to-age play as the synopsis suggested on the website. While Alex was a very important part of the story he was not the only focus. The stories around the parents and grandparents were not any less intriguing. I shall not go on so I won't carelessly put in any spoiler here but I do think it's got a quite fine approach to the theme - regret, which one can see through all three generations, all in different contexts and degrees and it did explore how regrets haunt their lives. It may fade as time passes but it will never be gone, it will still lie in your heart and occasionally come up from the depth with the same bitterness.
And I was seriously amazed by the performance of the actors. I can only imagine that it'd be even harder to perform in such an almost interactive 'stage' so close to the audience and not affected by our presence, except in the last scene there was a slight error, in unfolding the picnic table (i mean it's their first show c'mon) and the whole audience laughed so hard, but even then the actors handled it quite smoothly that I almost thought it was intentional. On the other hand, because of the stage, it may make the variance of the performance more visible to the audience, I assume, remember I just ASSUME, because it is a quite intense program schedule and the play did require heaps of emotions from the actors. My friend may bring her fam to see it again so maybe I'll ask her about it later in the month.
Anyway, it was a very nice play and I'd totally recommend it to my friends.
Details:
PERFORMANCE DATES
Previews 8 and 9 January
Season 11 January – 1 February 2014
PERFORMANCE TIMES
Monday – Saturday 7pm
Saturday 1 February 2pm and 7pm
RUNNING TIME
Approximately 2 hours and 55 minutes including interval.
VENUE
SBW Stables Theatre
10 Nimrod Street
Kings Cross NSW 2011
TICKET PRICES
Adult $35
Concession, Senior, Preview, Groups 8+ $28
Under 30 $28
For more info and synopsis check the website here










